Nothing hits like a Bridgerton string cover. Shonda Rhimes' Netflix show has become synonymous with lively, romantic string covers of pop songs: Celeste's “Strange" from Season 1, Bollywood hit "Kabhi Khushi Kabhie Gham" from Season 2, Beyoncé's "Halo" from spin-off Queen Charlotte, and Pitbull's "Give Me Everything" in Season 3.
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While each of Jarmusch's family units in FATHER MOTHER SISTER BROTHER feels familiar, Moore and Sabbat are so convincing in their chemistry and connection that I began to wonder if they actually are twins. (They are not.) This radiant love for one another smooths the cutting edges of the grief of their story, because unlike the other chapters' characters, they are not alone together. They are together even when they are alone, because they truly see each other and don't shrink from such honesty and vulnerability.